The Editor
Gargi Arya

Gargi Arya

Founder & Editor, The Living Epics Project · Student, Vantage Hall, Dehradun
Why I started this

I am a student, not a historian. I began this archive out of a simple fear — that the people who carried our hardest history are quietly disappearing, and that no one my age is listening while there is still time to.

The men I speak with commanded thousands, survived crashes, buried friends. Most will tell you it was "just a job." They do not broadcast their own stories. So I sit with them, record what they say, and write it down with the care it deserves — before it is lost.

What I bring to it

A reason to be in the room

For three years I studied at the Rashtriya Indian Military College, which had just opened its doors to girls — I was the only one in my batch. That experience gave me an early, lived sense of institutional military life: its language, its codes, the particular reticence of people trained to carry weight without remarking on it.

It is also where this archive's central question took root — what happens to the memory of institutions, and the people inside them, when no one writes it down. I am not a soldier. But I learned enough, early enough, to know how to listen to one, and why it matters.

How I work

The standard I hold

Every record in this archive is mine end to end — I conduct each interview, record it, transcribe it, and edit it myself. The editing is careful and minimal: cleaned for clarity, never for tone, so that the voice on the page is the voice in the room.

Beyond the archive

The rest of the work

I write. My first collection of poetry, Camphor Archives, is published; I am at work on a second. I founded and lead my school's History Club.

My research on postcolonial military identity — Recruitment and Rupture, on the inheritance of the ‘martial races’ idea and the divergence of Indian and Pakistani civil–military relations after 1947 — was presented at the IRIS conference and is under review for publication. An earlier essay, The Battle They Did Not Choose, was built on four of the interviews in this archive. A history essay of mine was commended in the John Locke Institute’s global essay prize, for arguing that the arc of the moral universe does not bend on its own.

The thread through all of it is the one that runs through this archive: a belief that testimony and memory are worth the patience it takes to preserve them well.